About Handel: Messiah by London Symphony Orchestra & Sir Colin Davis Album
London Symphony Orchestra & Sir Colin Davis - Handel: Messiah album info will be updated!
London Symphony Orchestra & Sir Colin Davis - Handel: Messiah album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
D1-1 | Messiah: Part I, No 1. Sinfonia | London Symphony Orchestra... | 3:45 |
D1-2 | Messiah: Part I, No 2. Comfort Ye M... | London Symphony Orchestra... | 3:00 |
D1-3 | Messiah: Part I, No 3. Ev'ry Valley... | London Symphony Orchestra... | 3:34 |
D1-4 | Messiah: Part I, No 4. And The Glor... | London Symphony Orchestra... | 2:46 |
D1-5 | Messiah: Part I, No 5. Thus Saith T... | Alastair Miles, London Sy... | 1:30 |
D1-6 | Messiah: Part I, No 6. But Who May ... | London Symphony Orchestra... | 4:16 |
D1-7 | Messiah: Part I, No 7. And He Shall... | London Symphony Orchestra... | 2:21 |
D1-8 | Messiah: Part I, No 8. Behold, A Vi... | London Symphony Orchestra... | 0:23 |
D1-9 | Messiah: Part I, No 9. O Thou That ... | London Symphony Orchestra... | 3:56 |
D1-10 | Messiah: Part I, No 9a. O Thou That... | London Symphony Orchestra... | 1:43 |
D1-11 | Messiah: Part I, No 10. For, Behold... | Alastair Miles, Sir Colin... | 2:26 |
D1-12 | Messiah: Part I, No 11. The People ... | Alastair Miles, London Sy... | 3:11 |
D1-13 | Messiah: Part I, No 12. For Unto Us... | London Symphony Orchestra... | 4:06 |
D1-14 | Messiah: Part I, No 13. Pifa | London Symphony Orchestra... | 3:08 |
D1-15 | Messiah: Part I, Nos 14a-16. There ... | London Symphony Orchestra... | 1:54 |
D1-16 | Messiah: Part I, No 17. Glory To Go... | London Symphony Orchestra... | 1:39 |
D1-17 | Messiah: Part I, No 18. Rejoice Gre... | London Symphony Orchestra... | 4:39 |
D1-18 | Messiah: Part I, No 19. Then Shall ... | London Symphony Orchestra... | 0:27 |
D1-19 | Messiah: Part I, No 20. He Shall Fe... | London Symphony Orchestra... | 4:58 |
D1-20 | Messiah: Part I, No 21. His Yoke Is... | London Symphony Orchestra... | 2:11 |
D1-21 | Messiah: Part II, No 22. Behold The... | London Symphony Orchestra... | 3:33 |
D1-22 | Messiah: Part II, No 23. He Was Des... | London Symphony Orchestra... | 9:56 |
D1-23 | Messiah: Part II, No 24. Surely He ... | London Symphony Orchestra... | 2:20 |
D1-24 | Messiah: Part II, No 25. And With H... | London Symphony Orchestra... | 2:41 |
D1-25 | Messiah: Part II, No 26. All We Lik... | London Symphony Orchestra... | 4:09 |
D2-1 | Messiah: Part II, No 27. All They T... | London Symphony Orchestra... | 0:49 |
D2-2 | Messiah: Part II, No 28. He Trusted... | London Symphony Orchestra... | 2:28 |
D2-3 | Messiah: Part II, No 29. Thy Rebuke... | London Symphony Orchestra... | 2:27 |
D2-4 | Messiah: Part II, No 30. Behold, An... | London Symphony Orchestra... | 1:27 |
D2-5 | Messiah: Part II, No 31. He Was Cut... | London Symphony Orchestra... | 0:22 |
D2-6 | Messiah: Part II, No 32. But Thou D... | London Symphony Orchestra... | 2:29 |
D2-7 | Messiah: Part II, No 33. Lift Up Yo... | London Symphony Orchestra... | 3:12 |
D2-8 | Messiah: Part II, No 34. Unto Which... | London Symphony Orchestra... | 0:15 |
D2-9 | Messiah: Part II, No 35. Let All Th... | London Symphony Orchestra... | 1:27 |
D2-10 | Messiah: Part II, No 36. Thou Art G... | Alastair Miles, London Sy... | 3:22 |
D2-11 | Messiah: Part II, No 37. The Lord G... | London Symphony Orchestra... | 1:11 |
D2-12 | Messiah: Part II, No 38. How Beauti... | London Symphony Orchestra... | 2:26 |
D2-13 | Messiah: Part II, No 39. Their Soun... | London Symphony Orchestra... | 1:36 |
D2-14 | Messiah: Part II, No 40. Why Do The... | Alastair Miles, London Sy... | 2:41 |
D2-15 | Messiah: Part II, No 41. Let Us Bre... | London Symphony Orchestra... | 1:43 |
D2-16 | Messiah: Part II, No 42. He That Dw... | London Symphony Orchestra... | 0:16 |
D2-17 | Messiah: Part II, No 43. Thou Shalt... | London Symphony Orchestra... | 2:06 |
D2-18 | Messiah: Part II, No 44. Hallelujah | London Symphony Orchestra... | 3:43 |
D2-19 | Messiah: Part III, No 45. I Know Th... | London Symphony Orchestra... | 6:01 |
D2-20 | Messiah: Part III, No 46. Since By ... | London Symphony Orchestra... | 2:19 |
D2-21 | Messiah: Part III, No 47. Behold, I... | Alastair Miles, London Sy... | 0:36 |
D2-22 | Messiah: Part III, No 48. The Trump... | Alastair Miles, London Sy... | 8:38 |
D2-23 | Messiah: Part III, No 49. Then Shal... | London Symphony Orchestra... | 0:19 |
D2-24 | Messiah: Part III, No 50. O Death, ... | London Symphony Orchestra... | 1:10 |
D2-25 | Messiah: Part III, No 51. But Thank... | London Symphony Orchestra... | 2:04 |
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Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified, such as Mozart's Der Messias. In the late 20th and early 21st centuries, the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. The autograph manuscript of the oratorio is preserved in the British Library.
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