The Moody Blues - Days of Future Passed

About Days of Future Passed by The Moody Blues Album

Days of Future Passed is the second album and first concept album by English rock band The Moody Blues, released in December 1967 on Deram Records. After two years performing as a struggling white R&B; band, The Moody Blues were asked by their record label in September 1967 to record an adaptation of Antonín Dvořák's Symphony No. 9 as a stereo demonstration record. Instead, the band chose to record an orchestral song cycle about a typical working day. Recording sessions for the album took place at Decca Studios in West Hampstead, London during May 9 to November 26, 1967. The band worked with record producer Tony Clarke, engineer Derek Varnals, and conductor Peter Knight. The album's music features psychedelic rockers, ballads by singer-songwriter and guitarist Justin Hayward, Mellotron played by keyboardist Mike Pinder, and orchestral accompaniment by the London Festival Orchestra. Music writers cite the album as a precursor to progressive rock music.

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Days of Future Passed (The Moody Blues) Album Songs

NoSong TitleTime
1.The Day Begins (Incl. Morning Glory... 5:44
2.Dawn: Dawn Is A Feeling 3:49
3.The Morning: Another Morning 3:56
4.Lunch Break: Peak Hour 5:29
5.The Afternoon 8:23
6.Evening 6:40
7.Nights In White Satin (The Night) [... 7:28

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Days of Future Passed [The Moody Blues] Album Reviews

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Days of Future Passed Wiki

Days of Future Passed is the second studio album by English progressive rock band the Moody Blues, released on 17 November 1967, by Deram Records. It has been cited by the Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums. The album represents a significant creative turning point for the band. The album is their first with guitarist and singer Justin Hayward, who replaced Denny Laine, and bassist John Lodge, who replaced Clint Warwick. The album is also their first to feature longtime producer and collaborator Tony Clarke and the first to feature keyboardist Mike Pinder on Mellotron. These changes, combined with a shift away from R&B covers toward original compositions and a thematic concept, helped define the band's sound for the next several albums and earned the group new critical and commercial success. The album was recorded to showcase the stereo recording techniques of Decca Records' new imprint, Deram. The label had requested the group record covers of pop and classical music along with an orchestra. Instead, the album features original compositions expressing the day in a life of an everyday person, interspersed with orchestral interludes arranged and conducted by Peter Knight and performed by the London Festival Orchestra. The album was a moderate success upon release, but steady FM radio airplay and the success of hit single "Nights in White Satin", led the album to become a top ten US hit by 1972. It has since been listed among the most important albums of 1967 by Rolling Stone.

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