About Images by Ronnie Milsap Album
Ronnie Milsap - Images album info will be updated!
Ronnie Milsap - Images album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
1. | Nobody Likes Sad Songs | Ronnie Milsap | 4:03 |
2. | Keep The Night Away | Ronnie Milsap | 3:11 |
3. | I Really Don't Want To Know | Ronnie Milsap | 3:13 |
4. | Just Because It Feels Good | Ronnie Milsap | 3:43 |
5. | You Don't Look For Love | Ronnie Milsap | 5:14 |
6. | Hi-Heel Sneakers | Ronnie Milsap | 4:56 |
7. | In No Time At All | Ronnie Milsap | 3:45 |
8. | Delta Queen | Ronnie Milsap | 2:41 |
9. | All Good Things Don't Have To End | Ronnie Milsap | 3:06 |
10. | Get It Up | Ronnie Milsap | 5:20 |
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Images are visual representations that can be two-dimensional, such as a drawing, painting, or photograph, or three-dimensional, such as a carving or sculpture. Images may be displayed through other media, including a projection on a surface, the activation of electronic signals, or digital displays; they can also be reproduced through mechanical means, such as photography, printmaking, or photocopying. Images can also be animated through digital or physical processes. In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term "image" (or "optical image") refers specifically to the reproduction of an object formed by light waves coming from the object. A volatile image exists or is perceived only for a short period. This may be a reflection of an object by a mirror, a projection of a camera obscura, or a scene displayed on a cathode-ray tube. A fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile. A mental image exists in an individual's mind as something one remembers or imagines. The subject of an image does not need to be real; it may be an abstract concept such as a graph or function or an imaginary entity. For a mental image to be understood outside of an individual's mind, however, there must be a way of conveying that mental image through the words or visual productions of the subject.
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