Andrea Bocelli - Verdi

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Verdi (Andrea Bocelli) Album Songs

NoSong TitleTime
1.Il Trovatore: Di Quella Pira (Act I... 3:12
2.Il Trovatore: Ah Si Ben Mio (Act II... 3:15
3.Rigoletto: La Donna E Mobile (Act I... 2:07
4.Un Ballo In Maschera: Di'Tu Se Fede... 3:02
5.Un Ballo In Maschera: Forse La Sogl... 2:32
6.Rigoletto: Ella Mi Fu Rapita (Act I... 4:36
7.Rigoletto: Possente Amor (Act II) 2:55
8.Aida: Celeste Aida (Act I) 4:04
9.La Traviata: Lunge Da Lei" - "De' M... 3:40
10.La Traviata: O Mio Rimorso! (Act II... 2:49
11.I Lombardi: La Mia Letizia Infonder... 2:03
12.Ernani: Merce, Diletti Amici (Act I... 6:54
13.Don Carlos: Io La Vidi E Al Suo Sor... 3:46
14.Luisa Miller: Quando Le Sere Al Pla... 5:07
15.La Forza Del Destino: La Vita E' In... 9:50

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Verdi Wiki

Giuseppe Fortunino Francesco Verdi (; Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893). His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated around the world in broadcasts and performances.

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