About Handel: Messiah by Anne Sofie von Otter, Arleen Auger, The English Concert & Trevor Pinnock Album
Anne Sofie von Otter, Arleen Auger, The English Concert & Trevor Pinnock - Handel: Messiah album info will be updated!
Anne Sofie von Otter, Arleen Auger, The English Concert & Trevor Pinnock - Handel: Messiah album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
D1-1 | Messiah: Symphony (Grave - Allegro ... | Trevor Pinnock & The Engl... | 3:21 |
D1-2 | Messiah: 1. Accompagnato: "Comfort ... | Howard Crook, Trevor Pinn... | 3:25 |
D1-3 | Messiah: 2. Air: "Ev'ry Valley Shal... | Howard Crook, Trevor Pinn... | 3:31 |
D1-4 | Messiah: 3. Chorus: "And The Glory ... | The English Concert, Trev... | 2:51 |
D1-5 | Messiah: 4. Accompagnato: "Thus Sai... | The English Concert, Trev... | 1:35 |
D1-6 | Messiah: 5. Air: "But Who May Abide... | Trevor Pinnock, The Engli... | 4:45 |
D1-7 | Messiah: 6. Chorus: "And He Shall P... | The English Concert, Trev... | 2:25 |
D1-8 | Messiah: 7. Recitative: "Behold, A ... | Anne Sofie von Otter, Tre... | 0:29 |
D1-9 | Messiah: 8. Air - 9. "O Thou That T... | Anne Sofie von Otter, Tre... | 5:30 |
D1-10 | Messiah: 10. Accompagnato: "For Beh... | John Tomlinson, Trevor Pi... | 3:03 |
D1-11 | Messiah: 11. Air: "The People That ... | John Tomlinson, Trevor Pi... | 3:55 |
D1-12 | Messiah: 12. Chorus: "For Unto Us A... | The English Concert, Trev... | 4:04 |
D1-13 | Messiah: 13. Pifa (Pastoral Symphon... | The English Concert & Tre... | 1:10 |
D1-14 | Messiah: Recitative: "There Were Sh... | Trevor Pinnock, The Engli... | 1:34 |
D1-15 | Messiah: 15. Chorus: "Glory To God ... | The English Concert, Trev... | 1:57 |
D1-16 | Messiah: 16. Air: "Rejoice Greatly,... | Arleen Auger, Trevor Pinn... | 4:48 |
D1-17 | Messiah: 17a. Recitative: "Then Sha... | Anne Sofie von Otter, Tre... | 0:21 |
D1-18 | Messiah: 18a. Duet: "He Shall Feed ... | Arleen Auger, Trevor Pinn... | 6:09 |
D1-19 | Messiah: 19. "His Yoke Is Easy" | The English Concert, Trev... | 2:16 |
D1-20 | Messiah: 20. "Behold The Lamb Of Go... | The English Concert, Trev... | 3:16 |
D1-21 | Messiah: 21. Air: "He Was Despised" | Anne Sofie von Otter, Tre... | 13:15 |
D2-1 | Messiah: 22. Chorus: "Surely He Hat... | The English Concert, Trev... | 2:27 |
D2-2 | Messiah: 23. Chorus: "And With His ... | The English Concert, Trev... | 1:52 |
D2-3 | Messiah: 24. Chorus: "All We Like S... | The English Concert, Trev... | 3:53 |
D2-4 | Messiah: 25. Accompagnato: "All The... | Howard Crook, Trevor Pinn... | 0:46 |
D2-5 | Messiah: 26. Chorus: "He Trusted In... | The English Concert, Trev... | 2:33 |
D2-6 | Messiah: 27. Accompagnato: "Thy Reb... | Howard Crook, Trevor Pinn... | 1:49 |
D2-7 | Messiah: 28. Arioso: "Behold And Se... | Howard Crook, Trevor Pinn... | 1:59 |
D2-8 | Messiah: 29. Accompagnato: "He Was ... | Trevor Pinnock, The Engli... | 0:14 |
D2-9 | Messiah: 30. Aria: "But Thou Didst ... | Trevor Pinnock, The Engli... | 2:08 |
D2-10 | Messiah: 31. Chorus: "Lift Up Your ... | The English Concert, Trev... | 3:04 |
D2-11 | Messiah: 32. Recitative: "Unto Whic... | Trevor Pinnock, The Engli... | 0:12 |
D2-12 | Messiah: 33. Chorus: "Let All The A... | The English Concert, Trev... | 1:29 |
D2-13 | Messiah: 34. Air: "Thou Art Gone Up... | Trevor Pinnock, The Engli... | 3:10 |
D2-14 | Messiah: 35. Chorus: "The Lord Gave... | The English Concert, Trev... | 1:05 |
D2-15 | Messiah: 36. Air: "How Beautiful Ar... | Trevor Pinnock, The Engli... | 2:37 |
D2-16 | Messiah: 37. Chorus: "Their Sound I... | The English Concert, Trev... | 1:22 |
D2-17 | Messiah: 38. Air: "Why Do The Natio... | John Tomlinson, Trevor Pi... | 2:56 |
D2-18 | Messiah: 39. Chorus: "Let Us Break ... | The English Concert, Trev... | 1:48 |
D2-19 | Messiah: 40. Recitative: "He That D... | Howard Crook, Trevor Pinn... | 0:10 |
D2-20 | Messiah: 41. Air: "Thou Shalt Break... | Howard Crook, Trevor Pinn... | 2:05 |
D2-21 | Messiah: 42. Chorus: "Hallelujah" | The English Concert, Trev... | 3:56 |
D2-22 | Messiah: 43. Air: "I Know That My R... | Trevor Pinnock, The Engli... | 6:42 |
D2-23 | Messiah: 44. Chorus: "Since By Man ... | The English Concert, Trev... | 2:20 |
D2-24 | Messiah: 45. Accompagnato: "Behold,... | John Tomlinson, Trevor Pi... | 0:31 |
D2-25 | Messiah: 46. Air: "The Trumpet Shal... | John Tomlinson, Trevor Pi... | 8:59 |
D2-26 | Messiah: 47. Recitative: "Then Shal... | Trevor Pinnock, The Engli... | 0:16 |
D2-27 | Messiah: 48. Duet: "O Death Where I... | Michael Chance, Trevor Pi... | 1:03 |
D2-28 | Messiah: 49. Chorus: "But Thanks Be... | The English Concert, Trev... | 2:12 |
D2-29 | Messiah: 50. Air: "If God Be For Us... | Anne Sofie von Otter, Tre... | 4:40 |
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Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified, such as Mozart's Der Messias. In the late 20th and early 21st centuries, the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. The autograph manuscript of the oratorio is preserved in the British Library.
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