Mon Laferte - SEIS

About SEIS by Mon Laferte Album

Seis (stylised in all caps) is the seventh studio album by Chilean singer and songwriter Mon Laferte. It was released on April 8, 2021 through Universal Music Mexico. It was produced by Manu Jalil, who also produced La Trenza, and Sebastián Aracena, and featured collaborations with Mexican singers Gloria Trevi and Alejandro Fernández, and Mexican bandas La Arrolladora Banda El Limón de René Camacho and Mujeres del Viento Florido. At the 22nd Annual Latin Grammy Awards, the album won Best Singer-Songwriter Album, the song "Que Se Sepa Nuestro Amor" was nominated for Song of the Year and Best Regional Song and the song "La Mujer" was nominated for Best Pop Song. At the 64th Annual Grammy Awards, the album was nominated for Best Regional Mexican Music Album (including Tejano), being Laferte's first Grammy award nomination.

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SEIS (Mon Laferte) Album Songs

NoSong TitleTime
1.Se Me Va A Quemar El Corazón 3:58
2.Amigos Simplemente 3:02
3.No Lo Vi Venir 3:02
4.Amado Mío 4:08
5.Canción Feliz 4:24
6.La Mujer 3:08
7.Calaveras 4:11
8.Aunque Te Mueras Por Volver 4:10
9.La Democracia 3:25
10.Esta Morra No Se Vende 2:42
11.Que Se Sepa Nuestro Amor 2:59
12.Te Vi 3:36
13.Se Va La Vida (feat. Banda Femenil ... 4:31
14.Se Me Va A Quemar El Corazón 4:12

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SEIS Wiki

The seis is a type of Puerto Rican Jíbaro dance music closely associated with the décima. It originated in the latter half of the 17th century in the southern part of Spain. The seis is influenced by Spanish, African, and Taino cultures. The Arabian aspects come from Spain, where the Muslims or the Moors had ruled for over 700 years. Like other Jíbaro music, the seis is associated with Christmas, folkloric festivals, concursos de trovadores (poetry-singing contests), and other large celebrations. The word means six, which may have come from the custom of having six couples perform the dance, though many more couples eventually became quite common. Men and women form separate lines down the hall or in an open place of beaten earth, one group facing the other. The lines would approach and cross each other and at prescribed intervals the dancers would tap out the rhythm with their feet.

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