Les Cris de Paris & Geoffroy Jourdain - Melancholia

Melancholia (Les Cris de Paris & Geoffroy Jourdain) Album Songs

NoSong TitleTime
1.Draw On, Sweet Night 4:38
2.Tristitia Et Anxietas (prima Pars) 5:55
3.Altro Che Lagrimar 2:15
4.O Vos Omnes, I 3:25
5.La Mia Doglia S'avanza 2:29
6.O Wretched Man 2:41
7.Come To Me Grief Forever (marking T... 1:11
8.What Is Our Life? 4:12
9.Crudele Acerba Inesorabil' Morte 2:38
10.Lullaby, My Sweet Little Baby, I 1:03
11.Quivi Sospiri 2:15
12.Mercè Grido Piangendo 3:18
13.Lullaby, My Sweet Little Baby, II 1:03
14.O Vos Omnes, II 2:50
15.Solo E Pensoso 4:55
16.Tristis Est Anima Mea 4:58
17.Lullaby, My Sweet Little Baby, III 1:48
18.O Care, Thou Wilt Despatch Me 3:41
19.Lullaby, My Sweet Little Baby, IV 1:26
20.Too Much I Once Lamented 5:39
21.Come To Me Grief Forever 4:39

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Melancholia [Les Cris de Paris & Geoffroy Jourdain] Album Reviews

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Melancholia Wiki

Melancholia or melancholy (from Greek: µέλαινα χολή melaina chole, meaning black bile) is a concept found throughout ancient, medieval, and premodern medicine in Europe that describes a condition characterized by markedly depressed mood, bodily complaints, and sometimes hallucinations and delusions. Melancholy was regarded as one of the four temperaments matching the four humours. Until the 18th century, doctors and other scholars classified melancholic conditions as such by their perceived common cause – an excess of a notional fluid known as "black bile", which was commonly linked to the spleen. Hippocrates and other ancient physicians described melancholia as a distinct disease with mental and physical symptoms, including persistent fears and despondencies, poor appetite, abulia, sleeplessness, irritability, and agitation. Later, fixed delusions were added by Galen and other physicians to the list of symptoms. In the Middle Ages, the understanding of melancholia shifted to a religious perspective, with sadness seen as a vice and demonic possession, rather than somatic causes, as a potential cause of the disease. During the late 16th and early 17th centuries, a cultural and literary cult of melancholia emerged in England, linked to Neoplatonist and humanist Marsilio Ficino's transformation of melancholia from a sign of vice into a mark of genius. This fashionable melancholy became a prominent theme in literature, art, and music of the era. Between the late 18th and late 19th centuries, melancholia was a common medical diagnosis. In this period, the focus was on the abnormal beliefs associated with the disorder, rather than depression and affective symptoms. In the 19th century, melancholia was considered to be rooted in subjective 'passions' that seemingly caused disordered mood (in contrast to modern biomedical explanations for mood disorders). In Victorian Britain, the notion of melancholia as a disease evolved as it became increasingly classifiable and diagnosable with a set list of symptoms that contributed to a biomedical model for the understanding mental disease. However, in the 20th century, the focus again shifted, and the term became used essentially as a synonym for depression. Indeed, modern concepts of depression as a mood disorder eventually arose from this historical context. Today, the term "melancholia" and "melancholic" are still used in medical diagnostic classification, such as in ICD-11 and DSM-5, to specify certain features that may be present in major depression. Related terms used in historical medicine include lugubriousness (from Latin lugere: "to mourn"), moroseness (from Latin morosus: "self-will or fastidious habit"), wistfulness (from a blend of "wishful" and the obsolete English wistly, meaning "intently"), and saturnineness (from Latin Saturninus: "of the planet Saturn).

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