About Ciaccona! by Leila Schayegh & La Centifolia Album
Leila Schayegh & La Centifolia - Ciaccona! album info will be updated!
Leila Schayegh & La Centifolia - Ciaccona! album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
1. | Three Parts Upon A Ground, Z. 731 | Leila Schayegh & La Cent... | 4:48 |
2. | Ciaccona For 2 Violins & Continuo | Leila Schayegh & La Cent... | 3:54 |
3. | Ciaccona For 2 Treble Instruments &... | Leila Schayegh & La Cent... | 2:48 |
4. | Ciaccona For Violin & Continuo | Leila Schayegh & La Cent... | 5:10 |
5. | Ciaccona For Violin, Violia De Gamb... | Leila Schayegh & La Cent... | 3:37 |
6. | Ciaccona In C Major For Violin & Co... | Leila Schayegh & La Cent... | 8:24 |
7. | Trio Sonata In C Major, Z. 795 | Leila Schayegh & La Cent... | 7:38 |
8. | Ayres For The Violin, Book 1: Ricer... | Leila Schayegh & La Cent... | 2:43 |
9. | Ayres For The Violin, Book 1: Diver... | Leila Schayegh & La Cent... | 4:32 |
10. | The Gordion Knot Untied, Z. 597: VI... | Leila Schayegh & La Cent... | 1:58 |
11. | Ciacocona In C Major, Op. 7 | Leila Schayegh & La Cent... | 3:05 |
12. | 2 Fantasias For Violin: No. 2 In A ... | Leila Schayegh & La Cent... | 4:43 |
13. | Chaconne For Violin & Continuo | Leila Schayegh & La Cent... | 8:20 |
14. | Trio Sonata In G Major, Op. 2 No. 1... | Leila Schayegh & La Cent... | 3:11 |
15. | Senza Titolo For Violin & Continuo | Leila Schayegh & La Cent... | 9:22 |
16. | Canon And Gigue In D Major, P. 37: ... | Leila Schayegh & La Cent... | 3:26 |
17. | Canon And Gigue In D Major, P. 37: ... | Leila Schayegh & La Cent... | 1:28 |
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A chaconne ( shə-KON, French: [ʃakɔn]; Spanish: chacona [tʃaˈkona]; Italian: ciaccona [tʃakˈkoːna]; earlier English: chacony) is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th and 18th centuries. The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.
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