Paavo Järvi - Ballets Russes

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Ballets Russes (Paavo Järvi) Album Songs

NoSong TitleTime
1.Eugene Onegin: Polonaise 4:54
2.Masquerade: Waltz 4:16
3.The Golden Age, Op. 22: Polka 2:15
4.The Love For Three Oranges, Op. 33:... 1:48
5.The Nutcracker Op. 71, Act II: Walt... 7:13
6.Sabre Dance 2:30
7.Raymonda, Op. 57: Entr'acte 4:07
8.Dance Of The Amazon, Op. 65 3:37
9.Suite For Variety Orchestra (Former... 3:51
10.Romeo And Juliet, Op. 64, Act 1: Th... 3:57
11.Eugene Onegin: Waltz 6:04
12.Tahiti Trot (After Tea For Two) 3:36
13.Valse-Fantaisie 8:28
14.Prince Igor, Polovtsian Dances: Dan... 2:11
15.Prince Igor, Polovtsian Dances: Dan... 2:23
16.Prince Igor, Polovtsian Dances: Dan... 1:15
17.Prince Igor, Polovtsian Dances: Dan... 2:07
18.Prince Igor, Polovtsian Dances: Dan... 5:20

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Ballets Russes Wiki

The Ballets Russes (French: [balɛ ʁys]) was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, completely reinvigorating the art of performing dance, bringing many visual artists to public attention, and significantly affecting the course of musical composition. It also introduced European and American audiences to tales, music, and design motifs drawn from Russian folklore. The company's employment of European avant-garde art went on to influence broader artistic and popular culture of the early twentieth century, not least the development of Art Deco.

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