Hilliard Ensemble & Paul Hillier - Madrigals

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Madrigals (Hilliard Ensemble & Paul Hillier) Album Songs

NoSong TitleTime
D1-1Cantiam Lieti Cantiamo 1:59
D1-2E D'un Bel Matin D'amore 0:53
D1-3Quella Bella E Biancha Mano 3:13
D1-4Una Leggiadra Nimpha 3:13
D1-5Venite Amanti Insieme 2:24
D1-6Divini Occhi Sereni 1:45
D1-7Con L'angelico Riso 1:59
D1-8Madonna, Il Tuo Bel Viso 3:08
D1-9Fuggi, Fuggi, Cor Mio 1:35
D1-10Si Liet'e Grata Morte 3:29
D1-11Se La Dura Durezza 1:53
D1-12Ahimè, Ahimè, Dov'è 'l Bel Viso 2:23
D1-13Madonna, S'io V'offendo 1:52
D1-14Il Bianco E Dolce Digno 2:04
D1-15Donne, Venete Al Ballo 3:01
D1-16Morir Non Può Il Mio Cuore 1:58
D1-17Se La Mia Vita 4:56
D1-18Mia Benigna Fortuna 3:07
D1-19Anchor Che Col Partire 2:32
D1-20O Sonno 3:22
D1-21Chi La Gagliarda 3:25
D1-22Madonna Mia Fa 3:01
D1-23Medici Nui Siamo 4:37
D1-24Quando Sarà Mai Quel Zorno 4:24
D1-25Matona Mia Cara 2:32
D1-26Tri Ciechi Siamo 2:04
D2-1O Greefe Even On The Bud 2:07
D2-2When Loe By Breake Of Morning 1:42
D2-3Aprill Is In My Mistris Face 1:28
D2-4Thule, The Period Of Cosmographie: ... 2:28
D2-5Thule, The Period Of Cosmographie: ... 2:24
D2-6Sweet Nimphe Come To Thy Lover 1:41
D2-7Sweet Honey Sucking Bees: A. (The F... 1:57
D2-8Sweet Honey Sucking Bees: B. The Se... 2:57
D2-9Miraculous Love's Wounding 3:07
D2-10Adew Sweet Amarillis 2:53
D2-11Weepe, O Mine Eyes 2:42
D2-12The Silver Swanne 1:49
D2-13O Care Thou Wilt Dispatch Mee: A. (... 2:09
D2-14O Care Thou Wilt Dispatch Mee: B. (... 2:35
D2-15Since Roben Hood 1:28
D2-16Fyre And Lightning 0:58
D2-17Strike It Up, Tabor 1:41
D2-18See, See, The Shepheards Queen 2:03
D2-19Come, Sable Night 5:42
D2-20Sweet Suffolke Owle 2:41
D2-21In Nets Of Golden Wyers 3:00
D2-22Draw On Sweet Night 5:32

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Madrigals Wiki

A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but the form usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. Madrigals written by Italianized Franco–Flemish composers in the 1520s partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from the polyphony of the motet (13th–16th centuries). The technical contrast between the musical forms is in the frottola consisting of music set to stanzas of text, whilst the madrigal is through-composed, a work with different music for different stanzas. As a composition, the madrigal of the Renaissance is unlike the two-to-three voice Italian Trecento madrigal (1300–1370) of the 14th century, having in common only the name madrigal, which derives from the Latin matricalis (maternal) denoting musical work in service to the mother church or from the post-classical Latin matricalis (maternal, simple, primitive). Artistically, the madrigal was the most important form of secular music in Renaissance Italy, and reached its formal and historical zenith in the later-16th century, when the form also was taken up by German and English composers, such as John Wilbye (1574–1638), Thomas Weelkes (1576–1623), and Thomas Morley (1557–1602) of the English Madrigal School (1588–1627). Although of British temper, most English madrigals were a cappella compositions for three to six voices, which either copied or translated the musical styles of the original madrigals from Italy. By the mid-16th century, Italian composers began merging the madrigal into the composition of the cantata and the dialogue; and by the early 17th century, the aria replaced the madrigal in opera.

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