Death Cab for Cutie - Transatlanticism

About Transatlanticism by Death Cab for Cutie Album

Transatlanticism is the fourth studio album by Death Cab for Cutie, released October 7, 2003 on Barsuk Records. Prior to the album's release, Ben Gibbard stated: "...unlike The Photo Album, I feel like this record is definitely more like a proper album. We’ve tried to construct it with transitions of songs going in and out of each other, and I think it's a little bit more expansive than the last record." The album peaked at number 97 on the Billboard 200 Album Chart. The album has been certified Gold in the U.S. It is available on CD, SACD, and vinyl. The album is Jason McGerr's first as the band's drummer. The album was rated the 57th best of the decade by Rolling Stone. The album received highly positive reviews, and is to date the band's most acclaimed album. Transatlanticism scored an 85 on Metacritic, indicating "universal acclaim". Rob Theakston of Allmusic stated, "It's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish" and gave it 4.5 stars out of 5. Among the most critical of the album was William Morris from Pitchfork Media, who stated, "Transatlanticism dulls the edges of their usually acute divinations", although he gave the album a positive review. Tracks from Transatlanticism have been featured in several films and television shows. A poster of the album cover hangs in the bedroom of The O.C. character Seth Cohen, and a copy of the album is part of his "starter pack" during the first "Chrismukkah" episode. The song "A Lack of Color" is featured on Music From The OC: Mix 2. The song "Transatlanticism" was featured in a season four episode of Six Feet Under, a season five episode of CSI Miami ("Death Pool"), an episode of Harper's Island, and the films The Puffy Chair and Disturbia. "The Sound of Settling" was featured on the soundtracks for Wedding Crashers, Shop Girl, and Mean Creek. The song "Passenger Seat" was featured in the Californication episode "Girls, Interrupted".

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Transatlanticism (Death Cab for Cutie) Album Songs

NoSong TitleTime
1.The New Year 4:06
2.Lightness 3:30
3.Title And Registration 3:39
4.Expo '86 4:11
5.The Sound Of Settling 2:12
6.Tiny Vessels 4:21
7.Transatlanticism 7:55
8.Passenger Seat 3:41
9.Death Of An Interior Decorator 2:56
10.We Looked Like Giants 5:32
11.A Lack Of Color 3:35

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Transatlanticism [Death Cab for Cutie] Album Reviews

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Transatlanticism Wiki

Transatlanticism is the fourth studio album by rock band Death Cab for Cutie, released on October 7, 2003, by Barsuk Records. At this point in their career, the group had toured and recorded for nearly a half-decade. With tensions rising, the band decided to take time away from one another; notably, Ben Gibbard collaborated with electronic musician Dntel (Jimmy Tamborello), and released an album, Give Up, under the name the Postal Service. Death Cab regrouped in late 2002 to create Transatlanticism, which was recorded in a leisurely manner over five-day stretches until June 2003. The record is a concept album, exploring a theme of long-distance romance. Gibbard penned the lyrics, which are somber and focus on the need to be loved. Musically, the album utilizes ambience and instrumental sparseness as an extension of this theme. The album's title, likewise, references the Atlantic Ocean and uses it as a metaphor for geographic and emotional separation. Chris Walla, the band's guitarist, produced the album as he had for its predecessors. The album's artwork was created by artist Adde Russell. Prior to the album's release, Give Up had become a huge success, eventually going platinum—unusual territory for indie rock artists. The band were also referenced on the television drama The O.C., which increased their profile. Expectations for Transatlanticism were high, with the band receiving renewed attention. The album was a success: it charted at number 97 on the Billboard 200, and was certified gold by the Recording Industry Association of America (RIAA), for shipments of 500,000 copies in the United States. It received acclaim from music critics, who praised its emotional tone and expansive music. It is also the band's first album with drummer Jason McGerr.

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