Michelle by The Beatles Song Info
"Michelle" is a song primarily written by Paul McCartney (credited to Lennon/McCartney) and recorded by The Beatles for their 1965 album Rubber Soul. The song would go on to win the Grammy Award for Song of the Year in 1967 and has since become one of the most widely recorded of all Beatles songs. Musical Structure The words and style of "Michelle" have their origins in the popularity of Parisian Left Bank culture during McCartney's Liverpool days. In his description, "it was at the time of people like Juliette Greco, the French bohemian thing." McCartney had gone to a party of art students where a student with a goatee and a striped T-shirt was singing a French song. He soon wrote a farcical imitation to entertain his friends that involved French-sounding groaning instead of real words. The song remained a party piece until 1965, when John Lennon suggested he rework it into a proper song for inclusion on Rubber Soul. McCartney asked Jan Vaughan, a French teacher and the wife of his old friend Ivan Vaughan, to come up with a French name and a phrase that rhymed with it. McCartney said: "It was because I'd always thought that the song sounded French that I stuck with it. I can't speak French properly so that's why I needed help in sorting out the actual words." Vaughan came up with "Michelle, ma belle", and a few days later McCartney asked for a translation of "these are words that go together well", rendered, for scansion, as sont des mots qui vont très bien ensemble ("are words that go very well together"). When McCartney played the song for Lennon, Lennon suggested the "I love you" bridge. Lennon was inspired by a song he heard the previous evening, Nina Simone's version of "I Put a Spell on You", which used the same phrase but with the emphasis on the last word, "I love you". George Martin, the Beatles' producer, recalled that he composed the melody of the guitar solo, which is heard midway through the song and again during the fadeout. He showed George Harrison the notes during the recording session and then accompanied the guitarist (on piano, out of microphone range) when the solos were overdubbed.
