Let the Music Play by Shannon Song Info
"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983 as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart (behind Patti LaBelle's "If Only You Knew") and number eight on the Billboard Hot 100 in February 1984. It was Shannon's only Top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. The original version of the song was produced by Chris Barbosa and Mark Liggett. By the early 1980s, the backlash against disco had driven dance music off mainstream radio stations in the United States. The rhythmic ingenuity of "Let the Music Play" was largely due to Barbosa, who wrote and arranged the original demo track. Rob Kilgore played all the instruments on this seminal track. It featured a series of keyboard chords and drum patterns produced by gating a Roland TR-808 drum machine. Specifically, a reverb was placed across the kick and snare and hard gated to change the sounds. Further, it was one of the first tracks to sync together a TR-808 and a Roland TB-303 bassline, notorious in later years for the instrument responsible for creating acid house. The TB-303 plays the bassline for the entire song; however, in this case, the filter is not adjusted, which was typical for acid house music. This technical achievement made the production even more groundbreaking and it also resulted in a unique sound, called "The Shannon Sound", which eventually became known as freestyle. "Let the Music Play" is a dance-pop and freestyle song with synthesizer and drum machine-produced rim shot percussion sounds and kick-drum/snare-drum interaction. Critic and journalist Peter Shapiro described the song as a "cross between Gary Numan and Tito Puente." The song's tempo is 116 beats per minute.