Krassimira Stoyanova, Munich Radio Orche... - Verismo

Verismo (Krassimira Stoyanova, Munich Radio Orchestra & Pavel Baleff) Album Songs

NoSong TitleTime
1.Manon Lescaut, S. 64: In Quelle Tri... 2:17
2.Adriana Lecouvreur: Del Sultano Amu... 4:44
3.L'amico Fritz: Son Pocchi Fiori 3:39
4.Turandot, S. 91: Signore, Ascolta! 2:21
5.Adriana Lecouvreur: Un Cofanetto? S... 6:01
6.Madama Butterfly, S. 74: Un Bel Dì... 4:48
7.La Wally: Ebben? Ne Andrò Lontana 3:57
8.Madama Butterfly, S. 74: Sai Cos'eb... 3:09
9.Suor Angelica, S. 87: Senza Mamma, ... 5:10
10.Turandot, S. 91: Tanto Amore Segret... 2:28
11.Andrea Chénier: La Mamma Morta 5:09
12.Manon Lescaut, S. 64: Sola, Perduta... 4:40
13.Edgar, S. 62: Non Più! Fermate! - ... 4:37
14.Lodoletta: Ah! Il Suo Nome! - Flamm...13:46
15.Tosca, S. 69: Vissi D'arte 2:58

Krassimira Stoyanova, Munich Radio Orchestra & Pavel Baleff - Verismo Album Comments

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Verismo [Krassimira Stoyanova, Munich Radio Orchestra & Pavel Baleff] Album Reviews

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Verismo Wiki

In opera, verismo (Italian for 'realism'), from vero, meaning 'true', was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. Verismo as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the verismo literary movement sought to portray the world with greater realism. In so doing, Italian verismo authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature.

Verismo by Krassimira Stoyanova, Munich Radio Orchestra & Pavel Baleff Verismo album songs Verismo comments Verismo album credits Verismo reviews listen Verismo

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