Hans Zimmer & Benjamin Wallfisch - Blade Runner 2049 (Original Motion Picture Soundtrack) album info will be updated!
| No | Song Title | Artist | Time |
|---|---|---|---|
| 1. | 2049 | Hans Zimmer & Benjamin W... | 3:37 |
| 2. | Sapper's Tree | Hans Zimmer & Benjamin W... | 1:36 |
| 3. | Flight To LAPD | Hans Zimmer & Benjamin W... | 1:47 |
| 4. | Summer Wind | Frank Sinatra | 2:54 |
| 5. | Rain | Hans Zimmer & Benjamin W... | 2:26 |
| 6. | Wallace | Hans Zimmer & Benjamin W... | 5:23 |
| 7. | Memory | Hans Zimmer & Benjamin W... | 2:32 |
| 8. | Mesa | Hans Zimmer & Benjamin W... | 3:10 |
| 9. | Orphanage | Hans Zimmer & Benjamin W... | 1:13 |
| 10. | Furnace | Hans Zimmer & Benjamin W... | 3:41 |
| 11. | Someone Lived This | Hans Zimmer & Benjamin W... | 3:13 |
| 12. | Joi | Hans Zimmer & Benjamin W... | 3:51 |
| 13. | Pilot | Hans Zimmer & Benjamin W... | 2:17 |
| 14. | Suspicious Minds | Elvis Presley | 4:22 |
| 15. | Can't Help Falling In Love | Elvis Presley & The Jord... | 3:02 |
| 16. | One For My Baby (And One More For T... | Frank Sinatra | 4:24 |
| 17. | Hijack | Hans Zimmer & Benjamin W... | 5:32 |
| 18. | That's Why We Believe | Hans Zimmer & Benjamin W... | 3:36 |
| 19. | Her Eyes Were Green | Hans Zimmer & Benjamin W... | 6:17 |
| 20. | Sea Wall | Hans Zimmer & Benjamin W... | 9:52 |
| 21. | All The Best Memories Are Hers | Hans Zimmer & Benjamin W... | 3:22 |
| 22. | Tears In The Rain | Hans Zimmer & Benjamin W... | 2:10 |
| 23. | Blade Runner | Hans Zimmer & Benjamin W... | 10:05 |
| 24. | Almost Human (From The Original Mot... | Lauren Daigle | 3:22 |
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Just flat out incredible!!!
Loved both movies and the Vangelis soundtrack. While this soundtrack is clearly different from the first, it’s a strong soundtrack and I was happy I bought it after a dozen listens now. Just make a playlist taking out the Elvis and Sinatra tracks and loop it over and over for a wonderful experience. If you loved the sound in the 2049 movie then you’ll more than likely love this too.
This sounds like an ad for Native Instruments and Heavyocity plugins.....BORING. The producer they kicked off the film had a much better score written..
Movie was super awesome sound track in theatres even better you could watch this movie without dialogue and just listen to the sounds and it would still be epic.
Masterpiece.
zimmer has outdone himself with this immersing score
This soundtrack definitey has it's own tone; love it. Though I can't seem to find the music that was used on the 2049 trailers. Is that somewhere in the soundtrack?
This is one of the most atmospheric and entrancing scores I’ve ever heard! I also love the addition of Frank Sinatra and Elvis Presley, because it’s a wonderful juxtaposition of the old to the retro future. Anyone who hates on this because it’s not the originals score, that’s the point. It’s something new with callbacks and hints of the old. And watch the movie with all the music in it and then complain about it. It’s wonderful music on its own, but with the movie, it completely enhances it to a whole new level!
Wish Johann did this soundtract
of what was great with cliche pads/strings/bang effects, pop track celina-dionish. A disgrace. No imagination. 2 stars for the recording quality. sad.
It feels like Mr. Zimmer went back to his roots on this one and really found a way to bring the essence of the orignal Blade Runner score into a entirely original score of his own. This is far and away hs best work in ages. I would be curious to know how much of the score is Mr. Wallfisch.
Listened to this SEVERAL times. Great soundtrack. Don’t compare this OST to Vangelis’s.. they’re two different movies, two different feels. I recommend both of them!
I like the music, though it’s not as distinct as the original. My real grip is that the individual music I purchased, even after I decided to buy the whole album, is unavailable to me. Why is that Apple?
Didn't see the 1st film till 95, It was the soundtrack I heard first that lead me to see it. Ridley Scott is quoted saying, Vangelis was the soul of the 1st film. I couldn't agree more. I don't hate this soundtrack but I'm very dissappointed at what I think it should have been. There is a glimpse of Vangelis sound throught most compositions, but it really lacks a solid score or any memorable song. The track Mesa really came close, and should have been the score. I'm completly puzzeled with why anyone thinks Lauren Daigle voice or the song belongs with this films soundtrack. At least Presley & Sinatra songs were part of the movie, not just background music.
Not sure what some are hearing but the textures are spectacular. A reminder to some "listeners".... this is FILM MUSIC. I cant wait to see how this works in the film but to say it's terrible or could have been much better is apalling. This is a beauty that is inventive, ethereal, textured with a multitude of unique sounds and I can bet that this marries the story to a T. Brilliant and Oscar worthy.
I loved the movie and the soundtrack was good too BUT I was a little disappointed. The music from the trailer had me so excited for the soundtrack. It seems a little lacking.
It's phenomenal! My only complaint is that it's all over the place. No attempt to match the tracks to the films progression. Otherwise it's everything I'd hoped it'd be. And I didn't have to wait 12yrs to have it. Purchased it within ten minutes of returning home after seeing the film. "Sea Wall" , which plays out during the final confrontation, is so masterfully crafted and raises the tension of what's otherwise a pretty standard showdown. Buy it, if only that track alone.
Yes, five stars although I do have a couple of nitpicks. I look at this in the same way I looked at Daft Punk's score for "Tron: Legacy" compared to the Wendy Carlos amazing off-time-change compositions for the original "Tron": younger minds, different ideas. Not fresh, but different. I was mostly glad that the music BR2049 wasn't some EDM-influenced racket. There's a place for that and this ain't it. I see some complain that it uses too much of the Vangelis-written themes which I really felt wasn't out of place. Much like Jed Kurzel's adaptations of Jerry Goldsmith's "Alien" score for "Alien Covenant", I found them to be a welcome note of familiarity in a visual world that's very much updated from the original. It's not unlike comparing scenes of NYC in the 1930's versus now. Where Vangelis's work was steeped in a classic "film noir" tradition (which probably was made moreso with the Deckard voiceover in the theatrical release of the original), Zimmer & Wallfisch have a more modern sound to fit a modern film. My two issues: Just me, but a little more organic, analog instrumentation in certain moments wouldn't have been a bad thing. The right instruments at the right time could've given certain dialogue passages a little more heft. Again, that's my armchair filmmaker side coming out to play. Then, there's that synth that sounds like they sampled a crotch rocket motorcycle in a tunnel and tuned it to suit their needs (reference "Pilot" around the 1:48 mark). Playing it though home speakers seems to take the harshness out a good bit but, in the theater, I guess I was sitting in the sweet spot where I'd get the brunt of whatever frequencies were gonna give my ribs a bit of a shaking.
To put it clear and simple this is probably the most captivating movie I have ever seen. And with any good movie comes an incredible soundtrack.
The movie is epic and inventive. The music is simply not. A hard line to walk here for the musical team up. How do you get us back into that world sonically? Most of the tepid reviews are so right on the money. Where are the new themes? Deeper sonic experience that 30 years of talent and tech can deliver. Should this have been handed off to Crystal method? I can only have wished. Instead, minus a few beat tracks, I'd get this for a better relaxed massage.
Mr.Hans Has done it again with another masterpiece!!
This is just not a good soundtrack. It lacks any reasonable sense of musicality. There is no sense of meaning to the amporphous sonic scapes. The inclusion of songs only emphaiszes the meaninglessness of the "music". Presley and Sinatra demonstrate the power of music. "Almost Human" is derivative, poorly performed and ridiculously dated. What is sad about this soundtrack is that it fails to match the visuals in artistry. Why not have a stronger more trained voice singing the song? Why not have discernible melodies instead of needless punctuated sound blobs that resemble slammed doors rather than actual instrumentation? Why not spring a few extra piano notes to demonstrate some sense of focus and purpose? Why bother titling the pieces, there is no differentiation in tone or mood? Why not hire an actual person talented at soundscapes? Lustmord would have been perfect for this soundtrack, and he had least would have brought an artistry that this sorely lacks. I wouldn't recommend this soundtrack at all, in fact, I feel like a fool for buying it.
Honestly thought it fit the movie so well! Sure its somewhat different that the original but it fit the tone of the movie perfectly.
Wow.
I fw the vibe it’s brilliant. Keep make great music ⛽️
This is so much more than a collection of "songs." It's a voluptuous mood bath.
One of the best soundtracks in recent memory. I remember being wowed at the theater just listening to the soundtrack and coupled with the visuals, MY OH MY. By itself, the soundtrack reminds me of the many epic moments of 2049, this helped it become one of the best films of the year, if not the best. Hans Zimmer did it again with some help from Benjamin Wallfisch this time, WOW!
My favorite movie with one of the best soundtracks I’ve ever heard in a movie
This score reaches into the soul! Nicely done. As pleasing as the original score.
When I heard that they didn't get Vangelis I was disappointed. I thought it impossible to conceive the movie without his music. So when I had heard they had originally gotten Johann Johansson I was intrigued but thought it would be too much of a departure from the world of Blade Runner. As that didn't work out, I would still like to hear what he came up with. Shortly after, they had gotten Hans Zimmer, and I initially thought he couldn't adapt. Well, he did. I didn't have high expectations for the music, but overall it's quite good. There are quite a few inspired synthesizer sounds, and they sound glorious. There is quite a bit to enjoy, and it has elements of Vangelis' style and sound with something more jarring and aggressive, perhaps NIN / Trent Reznor. As an accompaniment to the movie, the music is certainly effective and beautifully describes the action and vivid imagery. The only complaint is that I would've enjoyed more themes, melodies but overall quite good. Considering that it would be nearly impossible to top the original soundtrack, Hans Zimmer did an admirable job. He manages to capture the essence of the Blade Runner film within the music. The last song by a vocalist is irrelevant and unnecessary, and beneath the quality of the movie and the rest of this soundtrack.
I enjoyed the film and the soundtrack did it's job. The film was brilliant while the soundtrack was somehow a bit dissapointing compared to the impact made by the original Vangellis score.
I saw a lot of terrible reviews for this movie. It was he most beautiful movie I have ever seen. Denis Villeneuve has created another masterpiece and he nailed the music yet again. Arrival was amazing and his music created an emotional response for me. This soundtrack is beautiful! Check it out.
This soundtrack does a great job of integrating the musical themes found in the original movie’s soundtrack by Vangelis with modern sounds and additional vintage tracks. The original included a vintage track, and it’s nice to see it handled in the same way here. The new themes and sounds work very well for a movie that is set 30 years after the original (and was released 35 years after the original). Instead of an entirely new sound, completely out of step with the older model, we get a nice incorporation of old and new that expresses the distance in time without jarring. Bravo, Zimmer and Co.!
This is an amazing work of art and it is astonishing something like this was produced as part of a major Hollywood film release. Of course, the same could be said about Blade Runner 2049. I absolutely love movies that are actually art house films but end up with huge budgets. (They're the best ones.) A name as big as Zimmer's was probably needed to get the greenlight on this extended piece of genius, because there is no way a normal Hollywood suit signed off on this. This album is most definitely not for everyone, but if you are one of its people, you will love it.
Great opinion piece by Darshan— no bull just personal opinion and it’s appreciated.
Another great piece of work by Hans Zimmer. Fits the mood to the film perfectly!!
I’m a big Blade Runner fan, saw the first film in the theatre when I was eight and it forever impacted my imagination as a young artist. All these later Zimmer pulled off the right score for this film. I ‘thought’ I wanted more original themes but after seeing the film today, this score fits it perfectly. I loved the movie and the score. Great job.
As a huge fan of the original - this captures the essence of the new movie and more. Some very haunting themes. If you compare - it must be to the Blade Runner Trilogy album with its original and music inspired by - so many different components.
Not gonna repeat what other reviewers have stated about the marvelous original score to a stupendous movie. And the Elvis and Sinatra tracks *are* a nice addition. But whoever sequenced this album forgot to adjust the volume levels of the Elvis and Sinatra songs, they are way too *loud* compared to the synth score. I couldn't listen to the whole album and had to delete those songs because I don't want to have my mouse over the iTunes volume slider every time they play.
My favorite is Tears in The Rain
This soundtrack is absolutely amazing! I can’t stop listening to it and find those haunting moments with the piano scores and then it picks up strong with almost a tribal beat. My favorite is Mesa but Sea Wall is a close second. There’s even some deep chanting pieces that awaken the spirit. Bold and powerful music!
A powerful, cyber-enhanced, and melancholy, musical score. Ranges from quiet sadness to bombastic epicness. A few throwbacks to Vangelis himself and to the original Blade Runner as well.
It’s not as unique or as memorable as the original blade runner soundtrack by vangelis. In fact it’s really not worth buying, I couldn’t even listen to the whole album.
there is absolutley no reason why any artist (especially a score/soundtrack artist) to release anything on itunes and not have it mastered for itunes from the start.. other than that I like this, its true to the roots of the OG Blade Runner.
Incredible movie. Love the way they kept the original feel by using Vangelis with a mixture of Hans Zimmer.
👌🏻
This is fantastic. Sublime. Perfect. This music is hauntingly beautiful and elevates everything onscreen. I can't recommend this enough.
No...
Blade Runner 2049 OST one of the best movie in the history of electronic music -XXI century. Simply perfection. Sound of future. Titanic work was done.
The best soundtrack I've ever heard for the best film I've ever seen. A true scifi epic masterpiece with Hanz Zimmer lighting it up.
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The fact they used the same sound equipment/synthesizer as Vangelis did to create this soundtrack says so much. The soundtrack itself is super f'ing intense, unreal. Borderline religious experience.
The inevitable comparison to the soundtrack of the first BR film is not helping. O Vangelis, where art thou?
Hans Zimmer's take on the Blade Runner audio universe is pretty good. It's not Vangelis original Blade Runner good but it does the epic movie justice. I'm knocking one star off for Apple's failure to provide a Mastered For iTunes recording.
Blade Runner 2049 soundtrack is rather an ambience than a complex musical composition. Don't get me wrong, it suits perfectly the mood of the film, but if you were expecting a soundtrack of the quality of the first movie, you're in for a disappointment. Despite having 24 tracks, the album is surprisingly short, with no real memorable moments, and the last song, Almost Human, a pop song, is just out of place.
When I heard Hans Zimmer and the guy behind A Cure For Wellness were hired on to do the score to one of my most anticipated films ever, I was already excited, and, like the film, this was phenomenal. It was everything I wanted and more.
I've been waiting to hear this soundtrack for a long time...(have been addicted to Vangelis' original soundtrack (not the orchestral one) my entire life.) This puts a huge amount of pressure on the 2049 soundtrack, no matter who composes it. I was worried about how the ups and downs we heard about various artists' involvment would impact the final soundtrack. Simply put (and clearly with Villeneuve and Scott's guidance) - Zimmer and Wallfisch have crafted an incredible successor to the original soundtrack. Their musical rendering of our continuing journey into our potential future delivers shimmering spaces of existentialism, beautiful darkness, aching neurosis, and overwhelming savagery. The new work is resonates deeply with the original, but has the bravery to evolve with a new voice and identity. Highlights (and there are many) include 2049, Rain, Wallace, Hijack, Mesa, Someone Lived This, Pilot, Seawall, Blade Runner. Some of them are masterpieces. The end credit track Almost Human is unnecessary. It pulls us out of the sumptuous future noir that precedes it (incl. the nostalgic sprinkles of Presley and Sinatra). Humans and replicants rejoice. Thank you DV, RS, HZ, BW.
Let's face it; Vangelis' score to the original Blade Runner movie was an absolute masterpiece. I was excited to hear what Hans Zimmer & company was going to offer here (hear) and I have to say that the score was underwhelming, sadly. There are some nice moments and littered with homages to the original score but it just does not work with the same effect. After seeing the movie at the cinema twice now - first for the visuals and second to appreciate the score - I again left feeling disapointed in the effort made for what is otherwise a stunning movie. The fact that Johanson was dropped at the last minute and Zimmer was seconded to "finish" the score shows evidently here. Hans Zimmer is a master in his own right (think scores such as Rain Man and Interstellar to name a few) but this just cannot grasp the true solidarity and thought provoking moments that Vangelis captured so beautifully in the original movie.
An incredible soundtrack, huge base-note harmonics, atmospheric chaos and wistful, lilting notes to transport the listener far, far away. A perfect accompaniment to the film.
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Blade Runner 2049 (Original Motion Picture Soundtrack) music album wiki coming soon...
| Artist | Hans Zimmer & Benjamin ... |
| Genre | Soundtrack |
| Release | 05 October 2017 |
| Listeners | 9,105 |
| Play Count | 2,839 |
| Price | $10.99 |
| Tracks | 24 |
| Country | USA |
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