Choir of Clare College, Cambridge, Freib... - Handel: Messiah

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Handel: Messiah (Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs) Album Songs

NoSong TitleTime
D1-1Messiah, HWV 56, Part I: 1. "Sinfon... 2:59
D1-2Messiah, HWV 56, Part I: 2. Accompa... 2:59
D1-3Messiah, HWV 56, Part I: 3. Air (te... 3:01
D1-4Messiah, HWV 56, Part I: 4. Chorus ... 2:34
D1-5Messiah, HWV 56, Part I: 5. Accompa... 1:19
D1-6Messiah, HWV 56, Part I: 6. Air (co... 3:50
D1-7Messiah, HWV 56, Part I: 7. Chorus ... 2:23
D1-8Messiah, HWV 56, Part I: 8. Recitat... 5:27
D1-9Messiah, HWV 56, Part I: 10. Accomp... 2:18
D1-10Messiah, HWV 56, Part I: 11. Air (b... 3:41
D1-11Messiah, HWV 56, Part I: 12. Chorus... 3:57
D1-12Messiah, HWV 56, Part I: 13. Sinfon... 4:41
D1-13Messiah, HWV 56, Part I: 17. Chorus... 2:04
D1-14Messiah, HWV 56, Part I: 18. Air (s... 4:33
D1-15Messiah, HWV 56, Part I: 19. Recita... 4:58
D1-16Messiah, HWV 56, Part I: 21. Chorus... 2:20
D1-17Messiah, HWV 56, Part II: 22. Choru... 4:24
D1-18Messiah, HWV 56, Part II: 23. Air (...10:42
D1-19Messiah, HWV 56, Part II: 24. Choru... 1:45
D1-20Messiah, HWV 56, Part II: 25. Choru... 1:42
D1-21Messiah, HWV 56, Part II: 26. Choru... 3:50
D2-1Messiah, HWV 56, Part II: 27. Accom... 0:36
D2-2Messiah, HWV 56, Part II: 28. Choru... 2:11
D2-3Messiah, HWV 56, Part II: 29. Accom... 1:30
D2-4Messiah, HWV 56, Part II: 30. Arios... 1:21
D2-5Messiah, HWV 56, Part II: 31. Accom... 2:14
D2-6Messiah, HWV 56, Part II: 33. Choru... 3:03
D2-7Messiah, HWV 56, Part II: 34. Recit... 0:14
D2-8Messiah, HWV 56, Part II: 35. Choru... 1:23
D2-9Messiah, HWV 56, Part II: 36. Air (... 2:47
D2-10Messiah, HWV 56, Part II: 37. Choru... 1:09
D2-11Messiah, HWV 56, Part II: 38. Air (... 2:40
D2-12Messiah, HWV 56, Part II: 39. Choru... 1:24
D2-13Messiah, HWV 56, Part II: 40. Air (... 2:49
D2-14Messiah, HWV 56, Part II: 41. Choru... 1:36
D2-15Messiah, HWV 56, Part II: 42. Recit... 1:59
D2-16Messiah, HWV 56, Part II: 44. Choru... 3:56
D2-17Messiah, HWV 56, Part III: 45. Air ... 6:02
D2-18Messiah, HWV 56, Part III: 46. Chor... 1:57
D2-19Messiah, HWV 56, Part III: 47. Acco... 8:36
D2-20Messiah, HWV 56, Part III: 49. Reci... 1:16
D2-21Messiah, HWV 56, Part III: 51. Chor... 2:02
D2-22Messiah, HWV 56, Part III: 52. Air ... 4:19
D2-23Messiah, HWV 56, Part III: 53. Chor... 6:51

Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs - Handel: Messiah Album Comments

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Handel: Messiah [Choir of Clare College, Cambridge, Freiburger Barockorchester & René Jacobs] Album Reviews

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- This one is Fantastic!

I've listeed to several of the messiah recordings offered on iTunes and this is my favorite by far. It should be about the Chorus and this chrous rocks. It also really captures the flavor of the era by capturing the instruments of the day... bringing out lots of Violin and Horn when you should hear Violin and Horn. A very crisp, clean recording. While not $3.99, if you enjoy great music then this is the one to download.. in my opinion.

- Buy it for the Countertenor

Crisp, lively, authentic and bright. What makes this one special is that you have a countertenor singing some of the great soprano arias with power and grace, and a soprano singing an aria usually given to the tenor ("But thou didst not leave…"). This recording has some breathtaking moments. I wouldn't want it to be my only version of The Messiah, but I also wouldn't want to be without it. Truly beautiful.

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Handel: Messiah Wiki

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified, such as Mozart's Der Messias. In the late 20th and early 21st centuries, the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. The autograph manuscript of the oratorio is preserved in the British Library.

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