About Maria Egiziaca by Lamberto Gardelli, Hungarian Radio and Television Chorus & Hungarian State Orchestra Album
Lamberto Gardelli, Hungarian Radio and Television Chorus & Hungarian State Orchestra - Maria Egiziaca album info will be updated!
Lamberto Gardelli, Hungarian Radio and Television Chorus & Hungarian State Orchestra - Maria Egiziaca album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
1. | Episode One: Giammai Non Mi Confort... | Lamberto Gardelli, Hunga... | 9:19 |
2. | Episode One: Issa Artimone! | Lamberto Gardelli, Hunga... | 0:42 |
3. | Episode One: Odimi, Pellegrino | Lamberto Gardelli, Hunga... | 4:07 |
4. | Episode One: A Te Gli Aliossi! | Lamberto Gardelli, Hunga... | 3:11 |
5. | Episode One: Guarda, Son Bella! | Lamberto Gardelli, Hunga... | 2:03 |
6. | Episode One: Ben, Sí | Lamberto Gardelli, Hunga... | 0:39 |
7. | Episode One: Sagila! | Lamberto Gardelli, Hunga... | 1:15 |
8. | Intermedium One | Lamberto Gardelli, Hunga... | 3:41 |
9. | Episode Two: Non é L'ora, Fratello... | Lamberto Gardelli, Hunga... | 3:50 |
10. | Episode Two: Vexilla Regis Prodeunt | Lamberto Gardelli, Hunga... | 0:40 |
11. | Episode Two: É Qui, Staniera | Lamberto Gardelli, Hunga... | 2:18 |
12. | Episode Two: Or Dove Vai? | Lamberto Gardelli, Hunga... | 2:51 |
13. | Episode Two: Schiuma Il Tuo Furore | Lamberto Gardelli, Hunga... | 4:26 |
14. | Episode Two: O Bianco Astore | Lamberto Gardelli, Hunga... | 6:14 |
15. | Episode Two: Subitamente Or Vedo, I... | Lamberto Gardelli, Hunga... | 9:10 |
16. | Episode Three: Il Segno! Ecco | Lamberto Gardelli, Hunga... | 6:16 |
17. | Episode Three: Ah! Non Son Degna | Lamberto Gardelli, Hunga... | 2:20 |
18. | Episode Three: Beata | Lamberto Gardelli, Hunga... | 3:48 |
19. | Episode Three: Come Trema | Lamberto Gardelli, Hunga... | 3:22 |
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Maria egiziaca (Saint Mary of Egypt) is an opera in a single three-episode act by the Italian composer Ottorino Respighi. The libretto, by Claudio Guastalla, is based on a medieval life of Saint Mary of Egypt, contained in the translation into the vernacular of the Vitae Patrum written by Domenico Cavalca. The work was originally intended as a concert piece although it has been fully staged in some revivals. It was first performed at Carnegie Hall, New York City, on 16 March 1932. The first stage performance was at the Teatro Goldoni in Venice on 10 August 1932. Both the language of the libretto and the music employ archaism; Respighi's score contains stylistic echoes of Gregorian chant, Renaissance music and Monteverdi.
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