About Mozart - Piano Concertos by Sándor Frigyesi, Various Artists & János Ferencsik Album
Sándor Frigyesi, Various Artists & János Ferencsik - Mozart - Piano Concertos album info will be updated!
Sándor Frigyesi, Various Artists & János Ferencsik - Mozart - Piano Concertos album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
1. | Concerto For Piano And Orchestra No... | Sándor Frigyesi & Feren... | 7:20 |
2. | Concerto For Piano And Orchestra No... | Sándor Frigyesi & Feren... | 8:57 |
3. | Concerto For Piano And Orchestra No... | Sándor Frigyesi & Feren... | 7:12 |
4. | Concerto For Two Pianos And Orchest... | Zoltán Kocsis, János F... | 9:48 |
5. | Concerto For Two Pianos And Orchest... | Zoltán Kocsis, János F... | 8:14 |
6. | Concerto For Two Pianos And Orchest... | Zoltán Kocsis, János F... | 6:55 |
7. | Concerto For Three Pianos And Orche... | András Schiff, János F... | 5:36 |
8. | Concerto For Three Pianos And Orche... | András Schiff, János F... | 7:49 |
9. | Concerto For Three Pianos And Orche... | András Schiff, János F... | 8:50 |
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Wolfgang Amadeus Mozart's concertos for piano and orchestra are numbered from 1 to 27. The first four numbered concertos and three unnumbered concertos are early works that are arrangements of keyboard sonatas by various contemporary composers. Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. These works, many of which Mozart composed for himself to play in the Vienna concert series of 1784–86, held special importance for him . For a long time relatively neglected, Mozart's piano concertos are recognised as among his greatest achievements. They were championed by Donald Tovey in his Essay on the Classical Concerto in 1903, and later by Cuthbert Girdlestone and Arthur Hutchings in 1940 (originally published in French) and 1948, respectively. Hans Tischler published a structural and thematic analysis of the concertos in 1966, followed by the works by Charles Rosen, and Daniel N. Leeson and Robert Levin. The first complete edition in print was not until that of Richault from around 1850; since then the scores and autographs have become widely available.
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