Sir Andrew Davis - Handel: Messiah

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Handel: Messiah (Sir Andrew Davis) Album Songs

NoSong TitleTime
D1-1Messiah, Part One: Sinfony: Grave -... 3:32
D1-2Messiah, Part One: Comfort Ye My Pe... 2:47
D1-3Messiah, Part One: Ev'ry Valley Sha... 3:21
D1-4Messiah, Part One: And The Glory Of... 2:52
D1-5Messiah, Part One: Thus Saith The L... 1:31
D1-6Messiah, Part One: But Who May Abid... 4:41
D1-7Messiah, Part One: And He Shall Pur... 2:23
D1-8Messiah, Part One: Behold A Virgin ... 0:25
D1-9Messiah, Part One: O Thou That Tell... 5:27
D1-10Messiah, Part One: For Behold, Dark... 2:42
D1-11Messiah, Part One: The People That ... 4:17
D1-12Messiah, Part One: For Unto Us A Ch... 3:57
D1-13Messiah, Part One: Pifa (Pastoral S... 3:06
D1-14Messiah, Part One: There Were Shepa... 0:16
D1-15Messiah, Part One: And Lo, The Ange... 0:20
D1-16Messiah, Part One: And The Angel Sa... 0:38
D1-17Messiah, Part One: And Suddenly The... 0:17
D1-18Messiah, Part One: Glory To God In ... 1:57
D1-19Messiah, Part One: Rejoice Greatly,... 4:34
D1-20Messiah, Part One: Then Shall The E... 0:30
D1-21Messiah, Part One: He Shall Feed Hi... 5:23
D1-22Messiah, Part One: His Yoke Is Easy... 2:23
D1-23Messiah, Part Two: Behold, The Lamb... 3:12
D1-24Messiah, Part Two: He Was Despised ...12:22
D2-1Messiah, Part Two: Surely, He Hath ... 1:56
D2-2Messiah, Part Two: And With His Sti... 1:43
D2-3Messiah, Part Two: All We Like Shee... 3:53
D2-4Messiah, Part Two: All They That Se... 0:43
D2-5Messiah, Part Two: He Trusted In Go... 2:16
D2-6Messiah, Part Two: Thy Rebuke Hath ... 1:52
D2-7Messiah, Part Two: Behold, And See ... 1:30
D2-8Messiah, Part Two: He Was Cut Off O... 0:17
D2-9Messiah, Part Two: But Thou Didst N... 2:07
D2-10Messiah, Part Two: Lift Up Your Hea... 3:07
D2-11Messiah, Part Two: Unto Which Of Th... 0:16
D2-12Messiah, Part Two: Let All The Ange... 1:22
D2-13Messiah, Part Two: Thou Art Gone Up... 3:21
D2-14Messiah, Part Two: The Lord Gave Th... 1:08
D2-15Messiah, Part Two: How Beautiful Ar... 2:13
D2-16Messiah, Part Two: Their Sound Is G... 1:25
D2-17Messiah, Part Two: Why Do The Natio... 2:43
D2-18Messiah, Part Two: Let Us Break The... 1:42
D2-19Messiah, Part Two: He That Dwelleth... 0:13
D2-20Messiah, Part Two: Thou Shalt Break... 1:59
D2-21Messiah, Part Two: Hallelujah 3:53
D2-22Messiah, Part Three: I Know That My... 6:10
D2-23Messiah, Part Three: Since By Man C... 2:03
D2-24Messiah, Part Three: Behold, I Tell... 0:33
D2-25Messiah, Part Three: The Trumpet Sh... 8:59
D2-26Messiah, Part Three: Then Shall Be ... 0:18

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Handel: Messiah Wiki

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional alternate settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified, such as Mozart's Der Messias. In the late 20th and early 21st centuries, the trend has been towards reproducing a greater fidelity to Handel's original intentions, although "big Messiah" productions continue to be mounted. A near-complete version was issued on 78 rpm discs in 1928; since then the work has been recorded many times. The autograph manuscript of the oratorio is preserved in the British Library.

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