About Arias by Jonathan Tetelman, Orquesta Filarmonica De Gran Canaria & Karel Mark Chichon Album
Jonathan Tetelman, Orquesta Filarmonica De Gran Canaria & Karel Mark Chichon - Arias album info will be updated!
Jonathan Tetelman, Orquesta Filarmonica De Gran Canaria & Karel Mark Chichon - Arias album info will be updated!
No | Song Title | Artist | Time |
---|---|---|---|
1. | La Gioconda, Op. 9: Cielo E Mar! | Jonathan Tetelman, Orque... | 4:23 |
2. | Fedora: Amor Ti Vieta | Jonathan Tetelman, Orque... | 1:46 |
3. | I Due Foscari: Non Maledirmi, O Pro... | Jonathan Tetelman, Orque... | 1:55 |
4. | Martha: M'apparì Tutt'amor | Jonathan Tetelman, Orque... | 3:02 |
5. | Carmen, WD 31: La Fleur Que Tu M'av... | Jonathan Tetelman, Orque... | 4:10 |
6. | Adriana Lecouvreur: La Dolcissima E... | Jonathan Tetelman, Orque... | 2:16 |
7. | La Forza Del Destino: La Vita è In... | Jonathan Tetelman, Orque... | 3:14 |
8. | La Forza Del Destino: O Tu Che In S... | Jonathan Tetelman, Orque... | 3:41 |
9. | Andrea Chénier: Come Un Bel Dì Di... | Jonathan Tetelman, Orque... | 3:01 |
10. | Francesca Da Rimini, Op. 4: Paolo D... | Vida Miknevičiūtė, Jo... | 3:37 |
11. | Francesca Da Rimini, Op. 4: Perché... | Vida Miknevičiūtė, Jo... | 9:37 |
12. | Werther: Toute Mon âme Est Là –... | Jonathan Tetelman, Orque... | 2:47 |
13. | Cavalleria Rusticana: Mamma, Quel V... | Magdalena Łukawska, Jon... | 3:48 |
14. | Madama Butterfly, SC 74: Addio Fior... | Jonathan Tetelman, Orque... | 1:43 |
15. | Il Trovatore: Ah! Sì, Ben Mio | Vida Miknevičiūtė, Jo... | 4:15 |
16. | Il Trovatore: Di Quella Pira | Vida Miknevičiūtė, Jo... | 3:14 |
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In music, an aria (Italian: [ˈaːrja]; pl.: arie, Italian: [ˈaːrje]; arias in common usage; diminutive form: arietta, Italian: [aˈrjetta]; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer.
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