Sarah Brightman - Harem

About Harem by Sarah Brightman Album

Harem is a 2003 album by English singer Sarah Brightman. It mixes her operatic voice with Middle-Eastern and Indian rhythms and vocals. Thanks to an idea of Frank Peterson, the producer of this album, in the song "Mysterious Days", they included the vocals of the late singer Ofra Haza, who worked with Frank in 1997. Note: This album has been released with the Copy Control protection system in some regions. Track listing "Harem" – 5:45 (cover of "Canção do Mar" by Dulce Pontes) "What a Wonderful World" – 3:40 (originally sung by Louis Armstrong) "It's a Beautiful Day" – 3:56 (adapted from the Un Bel Di Vedremo aria from Giacomo Puccini's Madama Butterfly) "What You Never Know" – 3:24 "The Journey Home" – 4:56 (cover of song from Bombay Dreams) "Free" – 3:45 "Mysterious Days" – 5:17 (featuring Israeli singer Ofra Haza) "The War is Over" (featuring Iraqi singer Kazem al-Saher and English violinist Nigel Kennedy) – 5:15 "Misere Mei" – 0:54 (from Gregorio Allegri's "Miserere") "Beautiful" – 4:35 (cover of "Beautiful" by Mandalay) "Arabian Nights: Scimitar Moon/Voyage/Promise/Hamesha/Alone" – 8:50 "Stranger in Paradise" – 4:27 (adapted from Alexander Borodin's Polovetsian Dances) "Until the End of Time" – 4:32 Bonus/Unreleased tracks "You Take My Breath Away" (American version) - 6:50 "Gueri de Toi" (International version) - 3:50 (French version of "Free") "Tout Ce Que Je Sais" (Canadian version) - 3:28 (French version of "What You Never Know") "Sarahbande" (Japanese version) - 3:60 "Namida: When Firebirds Cry" (Harem Ultimate Edition) - 4:10 "Where Eagles Fly" (unreleased song with Eric Adams from Manowar) - 3:53 Singles "Harem" (2003) "It's a Beautiful Day" (2003) "What You Never Know" (2003) "Free" (2004) Charts This section does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2008) Chart (2003) Peak Position Canada Top Albums 7 U.S. Billboard Top 200 Albums 29 U.S. Billboard Top Classical Crossover Albums 1 U.S. Billboard Top Internet Albums 29 Swedish Album Chart 17

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Harem (Sarah Brightman) Album Songs

NoSong TitleTime
1.Harem 5:45
2.What A Wonderful World 3:40
3.It's A Beautiful Day 3:56
4.What You Never Know 3:24
5.The Journey Home 4:56
6.Free 3:45
7.Mysterious Days 5:17
8.The War Is Over 5:15
9.Misere Mei 0:54
10.Beautiful 4:35
11.Arabian Nights 8:50
12.Stranger In Paradise 4:27
13.Until The End Of Time 4:32
14.You Take My Breathe Away 6:50

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Harem Wiki

A harem is a domestic space that is reserved for the women of the house in a Muslim family. A harem may house a man's wife or wives, their pre-pubescent male children, unmarried daughters, female domestic servants, and other unmarried female relatives. In the past, during the era of slavery in the Muslim world, harems also housed enslaved concubines. In former times, some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygyny have varied depending on the family's personalities, socio-economic status, and local customs. Similar institutions have been common in other Mediterranean and Middle Eastern civilizations, especially among royal and upper-class families, and the term is sometimes used in other contexts. In traditional Persian residential architecture, the women's quarters were known as andaruni (Persian: اندرونی, lit. 'inside'), and in the Indian subcontinent as zenana (Urdu: زنانہ). Although the institution has experienced a sharp decline in the modern era due to a rise in education and economic opportunities for women, as well as the influence of Western culture, the seclusion of women is still practiced in some parts of the world, such as rural Afghanistan and conservative states of the Persian Gulf. In the West, the harem, often depicted as a hidden world of sexual subjugation where numerous women lounged in suggestive poses, has influenced many paintings, stage productions, films and literary works. Some earlier European Renaissance paintings dating to the 16th century portray the women of the Ottoman harem as individuals of status and political significance. In many periods of Islamic history, individual women in the harem exercised various degrees of political influence, such as the Sultanate of Women in the Ottoman Empire.

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