Alan Silvestri - What We Need Is a Hero

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I LOVE LOVE LOVE Idina's end-credits song "A Hero Comes Home." It really showcases her vocals REALLY well. I really hope it's nominated for an oscar! AMAZING sone!

This years been a bit light on high fantasy epics and their wonderful scores, so I was expecting great things from this soundtrack and I am delighted to say I'm not disappointed! Alan Silvestri's created a fantastic, bombastic, theme for Beowulf in the Main Title (which reminds me of 300) and is one of my favorite tracks here, along with The Seduction, which is the perfect musical companion to Angelina Jolie's first sexy scene. This is one of the few fantasy scores released this year that really grabs you in both its forceful action cues and its subtle notes. Buy it.

This is the BEST Soundtrack Alan Silvestri has ever done. Van Helsing is my other favorite score of his. My favorite song on this CD is Beowulf Slays the Beast. Keep up the Good work Alan!

...which means it's nothing short of amazing. My only complaint is the album is only a combined running time of 45 minutes. If you enjoyed his scores from Van Helsing, The Mummy Returns, and Tomb Raider: The Cradle of Life, this is a must own. I am PSYCHED to see this film!

The songs are wonderful, especially A Hero Comes Home, however, I like the (End Credits Version) WAY WAY WAY better! It is very much like an anthem and it brings out Idina's vocals very well. I love Idina and I was estatic to hear she was singing on this album! She hasn't dissapointed me yet and I highly doubt that she ever will!! ROCK ON IDINA!

Good soundtrack, Idina's credits song is the best. Hopefully it will be Oscar-nominated! Idina rocks!

Idina.Menzel..Fabulousness Enough.said!!!

I have never been a fan of Alan Silvestri. In the past, I have found his work to be quite flat and uninspiring. But now there is Beowulf, and I am forced to rethink Silvestri's contribution to the world of film music. His score for Beowulf is nothing short of iconic. It is exciting, epic, and charged with emotion both intimate and grandiose. Robin Wright-Penn sings two songs, both sweetly engaging like lullibies out of the distant past. One of her songs is revisted at the end, sung by Idina Menzel. This last cue is the only one I did not care for, as it sounded too much like those vapid songs sung during the end credits of Japanese anime. I thought Robin's version of "A Hero Comes Home" was much better, stripped of all the modern bombast and squeeky-voiced singing that was Idina's version. Itunes has this score available a week before everyone else--is this why they thought they could charge $14.99? Oh, well. They got me, hook, line, and sinker. I love this score!

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