Jimi Hendrix - Blues

About Blues by Jimi Hendrix Album

Recorded between 1966 and 1970, they feature the master guitarist stretching the boundaries of electric blues in both live and studio settings. Besides several Hendrixblues-based originals, it includes covers of Albert King and Muddy Waters classics, as well as a 1967 acoustic version of his composition “Hear My Train a Comin’.” - Richie Unterberger / Allmusic Guide (4/5 Stars) - Blues is a posthumous compilation album by musician Jimi Hendrix, released April 26, 1994, on MCA Records. The album contains eleven blues songs recorded by Hendrix between 1966 and 1970. Out of these eleven, six were previously unreleased. The tracks include seven of Hendrix’s compositions along with covers of famous blues songs such as “Born Under a Bad Sign” and “Mannish Boy”. Most of the album’s material consists of leftover studio tapes that Hendrix might have never intended to release. Compiled by MCA and released in 1994, Blues was met with favorable criticism and multiple chart success, selling over 500,000 copies in its first two years of release. On February 6, 2001, Blues was certified platinum in sales by the Recording Industry Association of America. The album was re-released on Experience Hendrix Records in 1998, following the Hendrix family’s acquisition of the musician’s recordings. Music The opening song “Hear My Train A-Comin’” (aka (by Hendrix) “Getting My Heart Back Together Again”)) is a Hendrix original that he often played live in concert, particularly in 1969 and 1970. The song was from a long lost master tape of Hendrix alone playing a 12 string acoustic right hand guitar, strung for left hand and singing in a delta blues manner. This live studio performance was filmed for, and included in the film See My Music Talking, and later included in the 1973 documentary Jimi Hendrix and accompanying soundtrack LP. The last song on Blues is a live version of “Hear My Train A-Comin’” recorded on May 30, 1970, at the Berkeley Community Theater that had previously been released on the posthumous Rainbow Bridge album in 1971. A different version of “Hear My Train A-Comin’” was included on the posthumous 1975 album Midnight Lightning and was considered somewhat controversial since producer Alan Douglas used session musicians to augment Hendrix’ guitar and Mitch Mitchell’s drums (overdubbing the bass guitar in the process). Another studio version from February 1969 was included on The Jimi Hendrix Experience box set in 2000. “Born Under a Bad Sign” is an instrumental jam of the Albert King number (performed by Band of Gypsys). “Red House” is the original (mono) take from the European version of Are You Experienced, but minus the outro chat (previously unavailable in USA & Canada). Another take (stereo) from a different session was released on the USA version of the 1969 compilation album Smash Hits. On this version Redding plays electric guitar tuned down to resemble a bass. “Catfish Blues” is from a Dutch TV show Hoepla. Hendrix uses the first two verses from Muddy Waters “Rollin’ Stone” (which is based on older versions usually with “Catfish” in the title) and the last verse is from Muddy’s “Still a Fool” itself based on “Roll and Tumble Blues” by Hambone Willie etc. “Voodoo Chile Blues” is another creation of Alan Douglas, recorded during the sessions that produced the finished track, “Voodoo Chile”, for the critically acclaimed Electric Ladyland album. This track is made up of two different takes of the song that were edited and joined together in order to come up with one consistent track. “Mannish Boy” is actually a hybrid of Muddy Waters’s “Mannish Boy” and Bo Diddley’s “I’m a Man”, it is a similar edited studio creation that combines several takes. “Once I Had a Woman” is a slightly longer edited version of Hendrix’s slow blues song. The band starts to jam during the second half of the long song and then a fade out follows. “Bleeding Heart” is a cover of the Elmore James number, performed here by Band of Gypsys. “Jelly 292″ is actually take 2 of the song “Jam 292″ (the name on the tape box) which appeared on the 1974 European only LP “Loose Ends”. It is an uptempo jam based on Duke Ellington’s “Dooji Wooji”. “Electric Church Red House” is a jam from TTG studios in 1968 featuring a group introduction by Hendrix (lifted from another, different jam at TTG) and Lee Michaels on organ. Musicians Jimi Hendrix – guitars, vocals Billy Cox – bass on “Born Under a Bad Sign”, “Mannish Boy”, “Once I Had a Woman”, “Bleeding Heart”, “Jelly 292″ and “Hear My Train a Comin’ (Electric)” Noel Redding – bass on “Red House”, “Catfish Blues” and “Electric Church Red House” Mitch Mitchell – drums on “Red House”, “Catfish Blues”, “Voodoo Chile Blues”, “Jelly 292″, “Electric Church Red House” and “Hear My Train a Comin’ (Electric)” Buddy Miles – drums on “Born Under a Bad Sign”, “Mannish Boy”, “Once I Had a Woman”, “Bleeding Heart” Jack Casady – bass on “Voodoo Chile Blues” Steve Winwood – organ on “Voodoo Chile Blues” Lee Michaels – organ on “Electric Church Red House” Sharon Layne – organ on “Jelly 292″ Additional personnel Alan Douglas – production Bruce Gary – production Mark Linett – engineering Joe Gastwirt – mastering Rob O’Connor – artwork, design Richard Bull – artwork, design Michael J. Fairchild – liner notes

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Blues (Jimi Hendrix) Album Songs

NoSong TitleTime
1.Hear My Train A-Comin' (Acoustic Ve... 3:05
2.Born Under A Bad Sign 7:37
3.Red House 3:43
4.Catfish Blues 7:47
5.Voodoo Chile Blues 8:48
6.Mannish Boy 5:21
7.Once I Had A Woman 7:49
8.Bleeding Heart 3:26
9.Jam 292 6:24
10.Electric Church Red House 6:12
11.Hear My Train A-Comin' (Electric Ve...12:09

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Blues Wiki

Blues is a music genre and musical form that originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. "The Blues" is characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans.Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery. Later, the development of juke joints. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music.

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